Thankful for a Creative Life

In the USA today we celebrate Thanksgiving to mark the day when In 1621, the Plymouth colonists and Wampanoag Indians shared an autumn feast. 


Many individuals and families will share a meal today and talk of what they're most thankful for in their own lives. 


For me, I am thankful for a creative life.
And for all the readers who peek in on my blog to seek information, inspiration, and connectivity with other like-minded individuals around the world.
Thank you for reading and commenting.


Here are 2 manifestos that I enjoy reading from time to time to remind me that the power to live a brilliant life is forever within ourselves.


1. Holstee Manifesto

Here's a short video made by a group of bike-lovers and creators that visually illustrate this manifesto:

2. An Incomplete Manifesto for Growth. This design manifesto was first written by Bruce Mau in 1998, articulating his beliefs, strategies, and motivations. 

1. Allow events to change you. You have to be willing to grow.

Growth is different from something that happens to you. You produce

it. You live it. The prerequisites for growth: the openness to experience

events and the willingness to be changed by them.

2. Forget about good. Good is a known quantity. Good is what we

all agree on. Growth is not necessarily good. Growth is an exploration of

unlit recesses that may or may not yield to our research. As long as you

stick to good you’ll never have real growth.

3. Process is more important than outcome. When the

outcome drives the process we will only ever go to where we’ve

already been. If process drives outcome we may not know where we’re

going, but we will know we want to be there.

4. Love your experiments (as you would an ugly child).

Joy is the engine of growth. Exploit the liberty in casting your work as

beautiful experiments, iterations, attempts, trials, and errors. Take the long

view and allow yourself the fun of failure every day.

5. Go deep. The deeper you go the more likely you will discover

something of value.

6. Capture accidents. The wrong answer is the right answer in

search of a different question. Collect wrong answers as part of the

process. Ask different questions.

7. Study. A studio is a place of study. Use the necessity of production

as an excuse to study. Everyone will benefit.

8. Drift. Allow yourself to wander aimlessly. Explore adjacencies. Lack

judgment. Postpone criticism.

9. Begin anywhere. John Cage tells us that not knowing where to

begin is a common form of paralysis. His advice: begin anywhere.

10. Everyone is a leader. Growth happens. Whenever it does,

allow it to emerge. Learn to follow when it makes sense. Let anyone

lead.

11. Harvest ideas. Edit applications. Ideas need a dynamic, fluid,

generous environment to sustain life. Applications, on the other hand,

benefit from critical rigor. Produce a high ratio of ideas to applications.

12. Keep moving. The market and its operations have a tendency to

reinforce success. Resist it. Allow failure and migration to be part of your

practice.

13. Slow down. Desynchronize from standard time frames and

surprising opportunities may present themselves.

14. Don’t be cool. Cool is conservative fear dressed in black. Free

yourself from limits of this sort.

15. Ask stupid questions. Growth is fueled by desire and

innocence. Assess the answer, not the question. Imagine learning

throughout your life at the rate of an infant.

16. Collaborate. The space between people working together is

filled with conflict, friction, strife, exhilaration, delight, and vast creative

potential.

17. ——————————. Intentionally left blank. Allow space for

the ideas you haven’t had yet, and for the ideas of others.

18. Stay up late. Strange things happen when you’ve gone too far,

been up too long, worked too hard, and you’re separated from the rest

of the world.

19. Work the metaphor. Every object has the capacity to stand for

something other than what is apparent. Work on what it stands for.

20. Be careful to take risks. Time is genetic. Today is the child of

yesterday and the parent of tomorrow. The work you produce today

will create your future.

21. Repeat yourself. If you like it, do it again. If you don’t like it, do it

again.

22. Make your own tools. Hybridize your tools in order to build

unique things. Even simple tools that are your own can yield entirely new

avenues of exploration. Remember, tools amplify our capacities, so even

a small tool can make a big difference.

23. Stand on someone’s shoulders. You can travel farther

carried on the accomplishments of those who came before you. And

the view is so much better.

24. Avoid software. The problem with software is that everyone

has it.

25. Don’t clean your desk. You might find something in the

morning that you can’t see tonight.

26. Don’t enter awards competitions. Just don’t. It’s not

good for you.

27. Read only left-hand pages. Marshall McLuhan did this. By

decreasing the amount of information, we leave room for what he called

our “noodle.”

28. Make new words. Expand the lexicon. The new conditions

demand a new way of thinking. The thinking demands new forms of

expression. The expression generates new conditions.

29. Think with your mind. Forget technology. Creativity is not

device-dependent.

30. Organization = Liberty. Real innovation in design, or any

other field, happens in context. That context is usually some form of

cooperatively managed enterprise. Frank Gehry, for instance, is only able

to realize Bilbao because his studio can deliver it on budget. The myth

of a split between “creatives” and “suits” is what Leonard Cohen calls a

‘charming artifact of the past.’

31. Don’t borrow money. Once again, Frank Gehry’s advice. By

maintaining financial control, we maintain creative control. It’s not exactly

rocket science, but it’s surprising how hard it is to maintain this discipline,

and how many have failed.

32. Listen carefully. Every collaborator who enters our orbit brings

with him or her a world more strange and complex than any we could

ever hope to imagine. By listening to the details and the subtlety of their

needs, desires, or ambitions, we fold their world onto our own. Neither

party will ever be the same.

33. Take field trips. The bandwidth of the world is greater than that

of your TV set, or the Internet, or even a totally immersive, interactive,

dynamically rendered, object-oriented, real-time, computer graphic–

simulated environment.

34. Make mistakes faster. This isn’t my idea — I borrowed it. I

think it belongs to Andy Grove.

35. Imitate. Don’t be shy about it. Try to get as close as you can. You’ll

never get all the way, and the separation might be truly remarkable.

We have only to look to Richard Hamilton and his version of Marcel

Duchamp’s large glass to see how rich, discredited, and underused

imitation is as a technique.

36. Scat. When you forget the words, do what Ella did: make up

something else … but not words.

37. Break it, stretch it, bend it, crush it, crack it, fold it.

38. Explore the other edge. Great liberty exists when we avoid

trying to run with the technological pack. We can’t find the leading edge

because it’s trampled underfoot. Try using old-tech equipment made

obsolete by an economic cycle but still rich with potential.

39. Coffee breaks, cab rides, green rooms. Real growth

often happens outside of where we intend it to, in the interstitial spaces

— what Dr. Seuss calls “the waiting place.” Hans Ulrich Obrist once

organized a science and art conference with all of the infrastructure of

a conference — the parties, chats, lunches, airport arrivals — but with

no actual conference. Apparently it was hugely successful and spawned

many ongoing collaborations.

40. Avoid fields. Jump fences. Disciplinary boundaries and

regulatory regimes are attempts to control the wilding of creative life.

They are often understandable efforts to order what are manifold,

complex, evolutionary processes. Our job is to jump the fences and

cross the fields.

41. Laugh. People visiting the studio often comment on how much we

laugh. Since I’ve become aware of this, I use it as a barometer of how

comfortably we are expressing ourselves.

42. Remember. Growth is only possible as a product of history.

Without memory, innovation is merely novelty. History gives growth a

direction. But a memory is never perfect. Every memory is a degraded

or composite image of a previous moment or event. That’s what makes

us aware of its quality as a past and not a present. It means that every

memory is new, a partial construct different from its source, and, as such,

a potential for growth itself.

43. Power to the people. Play can only happen when people

feel they have control over their lives. We can’t be free agents if we’re

not free